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Tuesday, January 23, 2007

New Diana Ross Covers Old Hit Parade

Diana Ross steps back on stage this March to kick off a new world tour.

Until then, she’ll have a great promotional opportunity as a mentor on Fox TV’s American Idol.

We’ve been playing 5 tracks on Powerhouse Radio from her new release, I Love You, (since the CD was released on January 16).

Listeners have the ability to vote on the tracks, and based on your rating numbers, you generally like Diana’s take on these 5 songs from among the dozen old classics she tackles.

Here’s the scorecard up until today (based on a scale of poor to excellent):

  • “Lovely Day” - good
  • “More Today Than Yesterday” - good
  • “The Look of Love” - good
  • “Only You” - good
  • “I Want You” - so so

Here’s a list of all of the Diana Ross I Love You tracks.

More on I Love You in the January 24, 2007 Powerhouse Radio Newsletter.

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Posted by King on 01/23 at 12:02 AM
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Wednesday, April 19, 2006

The Secret Life of Sly Stone

The first time I saw Sly & The Family Stone was at New York City’s world famous Apollo Theater.  Comedian Red Foxx opened the show.  I was a young teen, not expecting the blue language of Foxx, or the audience disapproval of Sly.

You see, Sly’s concept of interracial funk was loud, in your face, and way ahead of it’s time.  The second time I caught his show, a couple of weeks later, downtown at Bill Graham’s Fillmore East, same Sly, but the accepting Greenwich Village audience had big fun...and danced to the music.

Sly Stone, pictured here, performing at the 2006 Grammy Awards, is an icon.  You’ve probably heard all of the Sly Stone urban legends, most of them true, about his legendary shows, his no shows, and his charismatic showmanship.

A big part of the secret life of Sly Stone comes from what he learned as a young genius producer/arranger in San Francisco.  He produced tracks for Grace Slick, The Beau Brummels, and Bobby Freeman.  Sly wrote “The Swim,” a 1964 hit for Freeman.

Prior to the national break out of Sly & The Family Stone, record producer Sylvester Stewart, also known as Sly, hosted a radio show at KSOL in San Francisco.

He used a deeper, mellow speaking voice, especially later in his on-air career.  This voice was a few octaves lower than the familiar sound of his singing.

Always an innovator, Sly pioneered live dedications, and signed off his radio program each night by playing the piano.

According to T. Watts, Sly had a program segment called, “the integration record.” This was an affirmative action slot for “white” rock n’ rollers every night at 11pm.

Watts says for several months during one stretch, Sly’s “integration record” song was “Satisfaction” by the Rolling Stones.

You may have been lucky enough to hear Sly Stone DJ.  I once caught him in New York City, filling in for the legendary Frankie Crocker at WMCA.

I regret I didn’t record his show, for it was a classic performance.  Sly was an excellent radio DJ.  I’d love to hear him back behind the microphone.

I’m sure he did other fill-in guest appearances in other USA cities, once Sly & The Family Stone became famous.

Here’s more about Sly on the radio from Dave Billeci at reelradio.com.

"He sang in the Saint Beulah Church of God in Christ choir and recorded gospel music at the age of 4, years before attending the Chris Borden School of Broadcasting in San Francisco."

"After graduating in October 1964, Sly was hired by KSOL.  He was eventually placed on the night shift Monday through Saturday."

"He was very popular with the KSOL audience. In early 1967, Sly moved from the night shift to afternoon drive until his departure in June 1967."

By the way, if you want to hear airchecks of the secret life of Sly Stone, (an aircheck is a recording from the radio featuring DJ chatter, with most of the music removed), you can find several places online, including Airchexx.com, with recordings of Sly Stone at KSOL in San Francisco, back in the day.

Dave Billeci continues:

"During those two and a half years at KSOL, Sly gradually made a transition from an imitator to an innovator.”

“He might have been considered the Bay Area’s first “shock jock.” Dave adds that eventually, Sly “wanted to devote his (full) attention to the group he had just formed: The Family Stone."

"In October 1967, Sly decided to get back into radio and was hired by KSOL’s competitor across the bay, KDIA. He only worked there for about two months before signing a recording contract with Columbia records."

The rest, as they say, is history.



Posted by King on 04/19 at 06:45 AM
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