Review
Friday, April 25, 2008
Janet Jackson Favors Little Discipline over Control
Now that the hype has settled surrounding the release of Janet Jackson’s new collection Discipline, let’s take a closer look at the music.
Heading south on the album charts, Discipline still holds onto a top 30 spot, having peaked the first week out at #1.
The biggest issue I have with Discipline is that Janet Jackson has thrown herself at the mercy of her producers.
Jermaine Dupri is all over the album as the main architect, whipping up Justin Timberlake like grooves on “Feedback."
With “Rollercoaster,” we hear the sample machine cranked up to the max, with screams, grunts, and beats bouncing around Janet’s lyrics for maximum punch.
The problem is that these musical theatrics craft the opposite effect that Janet’s sweet voice projects.
Trying too hard to be cutting Edge, Discipline disappoints.
This album is better than Janet’s last one, but the real Ms. Jackson is still pressing too hard to find her authentic voice.
You can tell a lot just from the CD pictures accompanying Discipline.
Where’s the musical beef?
Here are some other thoughts about Discipline...
The Los Angeles Times: “Discipline tries to service both Tyler Perry-loving moms and their gone-wild progeny, sacrificing Jackson’s own vision in the process."
Dot Music: “Still, if not perfect, there’s plenty to like on Discipline, and while none of it is exactly vintage Janet, there’s enough here to keep the Jackson name on pop’s A-list for a little while longer."
Boston Globe: “Jackson’s decision to recycle the nympho routine one more time is just boring."
Entertainment Weekly: “Despite a couple of promising tracks the music generally befits the absurd lyrics...Dupri, Ne-Yo, Rodney Jerkins, The-Dream, and StarGate often drown out Jackson’s breathy vocals with soulless beats.
PopMatters: “On Discipline, Janet sounds part nympho, part aging diva trying to keep up with her would be replacements. It works on some songs, but fails miserably on most."
Hartford Courant: “When juxtaposed with the album’s bubble-gum bounce, the creepy parts just seem creepier."
Village Voice: “Discipline is the most cohesive deep-groove album from La Jackson since “Control."
I’d say there is overall consensus that Discipline is pretty weak.
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Thursday, February 28, 2008
Buddy Miles Tribute
Drummer Buddy Miles passed away Wednesday, February 27, at the relatively young age of 60.
Caught in the middle between the musical implementation of pure soul and progressive rock, Miles in his heyday never received the credit he deserved as a creative solo artist.
Radio programmers back in the day could never figure out if his music was appropriate to play for their particular audiences.
Buddy Miles was all about fusing soul, blues, pop, and rock into a unique blend of driving hardcore rhythms.
In 1967, Buddy, working his way up the musical ladder, joined “Wicked” Wilson Pickett’s touring band as the drummer. Soon after, guitarist Mike Bloomfield recruited Miles for the seminal horn-funk-blues group, The Electric Flag.
The Buddy Miles Express debuted in 1968 with the album, Expressway to Your Skull. I used the instrumental track “Funky Mule” from that album as my first and only theme song for a few years when I first started out in radio.
Jimi Hendrix and Buddy Miles had quite a few collaborations together, beginning in 1968 - 1969. Hendrix wrote the liner notes on Expressway to Your Skull, and produced “Miss Lady” from the 2nd Miles album Electric Church.
Hendrix also produced the unreleased version of the instrumental “69 Freedom Special,” (that does appear on The Best of Buddy Miles) CD.
Miles continued to experiment as he moved on to Band of Gypsys with Hendrix and bassist Billy Cox. I saw their only Madison Square Garden New York City performance live on January 28, 1970.
Unfortunately, what I remember was not positive, as Miles, Hendrix, and Cox only performed a couple of songs. Hendrix “went on strike” after a couple of songs and stormed off the stage because of some disagreement.
Miles and Hendrix recorded the classic jazz-rock “Rainy Day Dream Away” and “Still Raining Still Dreaming” from Hendrix’s historic double LP Electric Ladyland.
I genuinely enjoyed Buddy’s solo albums, as they always contained several stand out tracks.
The PowerhouseRadio.com music vault contains 7 of his solo vinyl albums, plus A Long Time Comin’ by The Electric Flag.
I suppose I should mention that Buddy Miles was the voice of the California Raisins, an animated cartoon used to promote the raisin industry in the 1970’s.
Miles was a very good singer - as soulful as the best of his day.
In 1994, Buddy Miles reformed the Express and recorded an album for Rykodisc.
I was asked if I wanted to interview Buddy in 2007. Unfortunately, we could not sync-up our schedules, so I ultimately passed. Now I’m sorry I missed the opportunity.
Luckily, I did have the chance many years ago to talk with Buddy Miles live at The Bottom Line club in New York City and record the conversation when I was a student at New York University.
If you are not familiar with Buddy Miles, a great place to start is the CD, The Best of Buddy Miles.
It includes his only bonafide hit, “Them Changes."
Take a listen and sample 2 minutes and 20 seconds of the longer “Funky Mule,” and enjoy the Buddy Miles groove. Check out his relentless percussive persuasion.
Here are my picks for the top 5 songs that showcase Buddy Miles:
- “Runaway Child”
- “Power of Soul” (Band of Gypsys)
- “Rainy Day, Dream Away” & “Still Raining, Still Dreaming” (guest with The Jimi Hendrix Experience)
- “69 Freedom Special”
- “Take It Off Him and Put It On Me”
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Monday, February 11, 2008
10 Glamorous and Gritty Grammy Highlights
The 50th Annual Grammy Award telecast was a surprising winner.
Great music performances overshadowed the disbursement of awards.
There was so much eye-candy going on during many of the performances that you could mistake the jamming for a Hollywood musical.
In order, here are my 10 Glamorous and Gritty Grammy Highlights:
- Beyonce’ & Tina Turner’s tag-team performance of “Proud Mary.”
- Rihanna & Morris Day (pictured above) along with the Time delivering a seemingly well-rehearsed showstopper.
- Aretha Franklin’s gospel tribute along with a cast of “thousands.”
- Kanye West’s acceptance speech for Best Rap Album. He refused to take the hook and get off the stage as he saluted the memory of his late mother.
- The “Rhapsody in Blue” jazz/classical tribute to George Gershwin featuring Herbie Hancock.
- Alicia Keys singing duet with a digitally recreated Frank Sinatra video. Good tape editing on Frank to pull this off!
- Amy Winehouse’s mystical comments live from London for winning Record of the Year for “Rehab.”
- George Lopez urging Hillary Clinton or Barack Obama to select “a Mexican” running mate for vice president.
- Herbie Hancock winning the Grammy for Album of the Year...River: The Joni Letters. A real surprise.
- Mary J. Blige sticking out her rear end (and never facing the camera) while pimping for Chevrolet in the best commercial of the evening.
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Monday, January 14, 2008
Diana Ross Rocks Atlantic City

It was time. I’ve never seen Diana Ross in concert live, so in celebration of another birthday, it was off to The Borgata in Atlantic City to catch Ms. Ross dish out some delicious diva magic to her casino city acolytes on Sunday evening, January 13th, 2008.
In an electrifying red gown, one of four different costume changes during the evening, the Boss opened the show with what else, “I’m Coming Out."
Next, it was sing-a-long time with 3 Supremes numbers:
- “My World Is Empty Without You Babe”
- “Baby Love”
- “Stop In The Name of Love”
Diana mixed the old and new quite well. The sold out crowd thoroughly enjoyed the vintage Supremes songs.
Ms. Ross sounded terrific. She seemed well rested with energy to spare.
Following the Supremes medley, Diana eased into “Touch Me In The Morning,” “Love Hangover,” “The Boss,” and “It’s My House,” rekindling the cachet of her solo hit catalogue.
Supremes chestnut “Love Child” grabbed the crowd next, before Ms. Ross sang the passionate ballad, “What About Love,” a new track from her 2007 album, I Love You. This was one of the few tracks most people in the audience were not familiar with.
Diana then picked up the tempo with another crowd pleaser from I Love You, “More Today Than Yesterday."
She really shook the rafters next with “Upside Down” and a sparkling version of “Ease on Down The Road” from The Wiz.
What’s a Diana Ross concert without some Lady Sings The Blues?
Ms. Ross then performed 2 back-to-back blues ballads from her Lady Day connection.
With her fans shouting for more, Diana stepped into “Why Do Fools Fall in Love,” followed by “The Theme From Mahogany,” and “Ain’t No Mountain High Enough."
Her band was a small combo of electric guitar, electric bass, drums, percussion, keyboards, and a male and female background singer. The songs sounded fine with these instruments, giving the older material a very contemporary feel.
The surprise of the night was the one encore after “Ain’t No Mountain High Enough,” a charged version of Gloria Gaynor’s “I Will Survive.” Towards the end of this song, a former mystery Supreme hit the stage to sing a short duet of the song with Diana.
Although the audience begged for a second encore, it was not to be. I was waiting for “Reach Out and Touch Somebody’s Hand,” but not tonight!
A younger friend who accompanied me said she enjoyed the show much better than Mary J. Blige who we both saw at the same arena last July.
I’m happy I’ve finally seen Diana Ross live. It was worth the wait! Her performance was excellent.
Catch Diana Ross Tuesday, March 11, 2008, 8pm at Bank Atlantic Center Sinatra Theater, Sunrise, Florida.
Watch Diana Ross talk about the song “More Today Than Yesterday".
Diana Ross Borgata concert photo credits: PowerhouseRadio.com.
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Thursday, December 13, 2007
12 Days of Christmas in Soulsville
2007 has been the year of Stax Records reissues.
Concord Music Group now owns the Stax catalogue. Concord has been aggressively re-releasing music in celebration of the 50th anniversary of Stax.
New this holiday season is Christmas In Soulsville.
This CD is a Southern Soul lover’s sweet treat. The tracks reflect the bluesy sound that dominated Memphis and Stax in the 1960’s and early 1970’s.
You won’t find fancy synthesizers, glossy production gimmicks, or city slicker orchestration on these sparse arrangements. Simple is better as these songs are sung from the heart using the emotions of soul to carry the tunes.
One track appears for the first time on CD, “That Makes Christmas Day,” a charming daughter and father collaboration featuring Carla & Rufus Thomas. The song is a slow blues with lots of Memphis horns, lots of Rufus, and not enough Carla, but it works.
2 versions of “Santa Claus Wants Some Lovin’” from both Albert King and Mack Rice are included.
Christmas In Soulsville is a historic time capsule. Who better to serve up a buffet of classic soul Christmas delights than the R&B - blues stars of Stax.
- Otis Redding - “Merry Christmas, Baby”
- The Staple Singers - “Who Took the Merry Out of Christmas”
- Booker T & The MGs - “Winter Wonderland”
- Isaac Hayes - “The Mistletoe and Me”
- The Emotions - “Black Christmas”
- Albert King - “Santa Claus Wants Some Lovin’”
- Rance Allen Group - “White Christmas”
- Rufus Thomas - “I’ll Be Your Santa Baby”
- Little Johnny Taylor - “Please Come Home for Christmas”
- The Emotions - “What Do the Lonely Do at Christmas”
- Mack Rice - “Santa Claus Wants Some Lovin’”
- Isaac Hayes - “Winter Snow”
- The Temprees - “It’s Christmas Time Again (The Christmas Song)”
- Albert King - “Christmas Comes But Once a Year”
- Rufus & Carla Thomas - “That Makes Christmas Day”
Remember to listen to PowerhouseRadio.com’s 12 Days of Christmas featuring all holiday music through Christmas Day, 2007.
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Thursday, December 06, 2007
7 Top Soulful Picks for Classic R&B 2007
If you look hard enough, and dig deep enough, you can always find good new music.
Here are our 7 Top Soulful Picks for Classic R&B 2007 in order. The releases all reflect the best traditions of vintage classic soul you or someone on your gift list will enjoy.
7 Top Soulful Picks for Classic R&B 2007:
- Diana Ross - I Love You - Thoroughly enjoyable over repeated listening. Mostly hit parade oldies from the catalogue of others served up Diana Ross style, packed with diva charm all the way.
- Alicia Keys - As I Am - When Stevie Wonder recorded the albums Where I’m Coming From and Music of My Mind in 1971 and 1972, he pushed the boundaries of what people expected from R&B. He also pushed himself forward into uncharted waters as a creative artist. Alicia Keys has taken some risks with As I Am, and has crafted one of the most inventive albums of the year. Excellent stuff.
- Thelma Houston - A Woman’s Touch - Mostly danceable chestnuts from a grab bag of good time hits and heavies we all remember. A nice effort putting Thelma Houston back in the game.
- Chaka Khan - Funk This - Features one of the best tracks of the year, “Disrespectful,” with Mary J. Blige. Almost as adventurous as the Alicia Keys release, Chaka lets loose with new tunes and some classics you might not expect. Nominated for a best R&B album Grammy (2007). Let the funky times roll.
- Stax 50th Anniversary Celebration - various artists - 50 fabulous tracks from the Stax Records vault to commemorate the 50th anniversary of the southern soul giant. They did make one mistake. Isaac Hayes’ “Shaft” appears in its 3 minute 10 second single form, rather than the 4 minute 30 second full version. For a song that won both a Grammy and Academy Award, I would have used the album version.
- Chris Jasper - Invincible - The former Isley Brother creates a spiritually uplifting collection of praise worthy songs fusing sacred themes with secular grooves reminiscent of his past hits with the guys.
- Patti LaBelle - Miss Patti’s Christmas - LaBelle’s Christmas album is the best soul/R&B holiday release of 2007. A joyous Hallelujah!
Here they are again, with additional links to album sources:
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Monday, November 19, 2007
J.B. Sings White Christmas for You
How many guys can claim that they’ve recorded the first Irving Berlin Music Company approved rendition of “White Christmas” since 1954.
J.B., pictured here, claims this honor.
Berlin wrote this song in 1942. With over 500 versions out there, what does this Savannah, Georgia native, J.B., now living in Atlanta, bring to “White Christmas?"
Listen to the first 1 minute 47 seconds of the track, and find out.
J.B.’s “White Christmas” is smooth. Do you hear just a little touch of Freddie Jackson?
Find out more about J.B. at JbSings.com
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Thursday, November 08, 2007
Darlene Love Shines on It's Christmas of Course 2007
Darlene Love, the famous voice of The Crystals, has released her first Christmas Album.
It’s Christmas Of Course features a welcome blend of contemporary holiday songs from the 1970’s and 1980’s.
Darlene digs right into a variety neo-classics, showing her versatility as a singer.
You won’t find Irving Berlin or Felix Mendelssohn inspired Christmas music on this upbeat release. Darlene Love is a child of the rock and soul era. She punches out these multi-genre holiday anthems with allegiance to the rhythmic pop beat.
"We had a rule on this album: no oldies. We wanted to leave the ‘50s and ‘60s behind,” according to Shawn Amos, Vice President of A&R for Shout! Factory, (the record label releasing Love’s It’s Christmas Of Course).
Darlene is an example of how talent and luck can keep one in the game for the long haul.
She’s had her share of hits with The Crystals under the guidance of Phil Spector. She’s paid her dues singing background vocals for Sam Cooke, Elvis Presley, The Mamas and Papas, Dionne Warwick, The Beach Boys, and Cher.
What I like the most about It’s Christmas Of Course is how Darlene Love sings such a wide range of material with authority, refinement, and subtlety.
But then, she’s worked with the best.
I like all of the tracks on It’s Christmas Of Course, however, 4 of my favorites are:
- “Who Took The Merry Out of Christmas”
- “Please Come Home For Christmas”
- “What Christmas Means To Me”
- “Thanks For Christmas”
Here are all of the tracks with a notation about the original artists:
- “Christmas All Over Again” (Tom Petty & The Heartbreakers)
- “Who Took The Merry Out of Christmas” (The Staple Singers)
- “Christmas Wish” (NRBQ)
- “Santa Claus Go Straight To The Ghetto” (James Brown)
- “Please Come Home For Christmas” (Charles Brown)
- “2000 Miles” (The Pretenders)
- “Christmas Is The Time To Say ‘I Love You’” (Billy Squier)
- “What Christmas Means To Me” (Stevie Wonder)
- “Christmas Must Be Tonight” (The Band)
- “Thanks For Christmas” (XTC)
- “Happy Xmas (War Is Over)” (John & Yoko & The Plastic Ono Band w/the Harlem Community Choir)
- “Night Of Peace” (Original Song)
Cissy Houston, the famous mother of Whitney, is a guest vocalist on “Happy Xmas (War Is Over)."
The first track, “Christmas All Over Again,” features a nice retro arrangement bringing to mind some classic Spectoresque girl group gusto. You know it’s Darlene Love when you hear this one.
Darlene gets gritty on “Who Took The Merry Out of Christmas,” and “Santa Claus Go Straight To The Ghetto.” She’s got a lot of soul in her powerful voice.
Whatever your musical taste, these 12 songs offer a fresh and enjoyable take on a cross-section of neo-classic holiday favorites.
Even though this is Darlene’s first solo Christmas album, she recorded “Christmas (Baby Please Come Home)” for Phil Spector’s Christmas album in 1963.
Love has performed the song for the past 20 years on David Letterman’s Late Show television broadcast. Dave says that the performance is his favorite thing about Christmas.
What else has Darlene been doing in recent years? Just Lighting up Broadway with her performances in… 1) “Grease,” 2) the Tony-Award nominated “Leader of the Pack,” and 3) her current 2-year run as Motormouth Maybelle in the Tony-Award winning “Hairspray."
Darlene Love will appear at the Lincoln Center in New York City on December 17, 2007 for her annual Christmas Concert performance.
She’ll also appear on The David Letterman Show for the 22nd consecutive year on December 24, 2007.
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Wednesday, November 07, 2007
Arrested Development Delivers New Music
Atlanta, Georgia’s Arrested Development is back.
Pictured is their 1992 release, 3 Years, 5 months and 2 Days in the Life Of...
Bookdiva D reviews Arrested Development’s new 2007 CD, Since the Last Time.
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Thursday, October 25, 2007
Retro-Soul makes a Mighty Comeback
Retro-soul has made a mighty comeback.
New generations of inspired singers are latching onto musical arrangements from the old school.
These artists make no apologies for belting out classic soul vocals wrapped around horns, organs, and bluesy keyboards.
This is what separates them from neo-soul troopers Alicia Keys, Jill Scott, and others.
Sharon Jones & The Dap-Kings have released a new 2007 CD that sounds like a time warp from 1967. Sharon and The Dap-Kings have a cult following, and it’s easy to see why.
She packs a punch delivering sounds reminiscent of Aretha, Gladys Knight, and Etta James.
James Hunter is the real deal. His 2006 release People Gonna Talk blends a fusion of reggae, soul, and blues.
Britian’s Hunter has a lot of authenticity in his music.
When you dig deep into his song catalogue, you realize that his love of classic soul is legitimate.
The Dynamites are slightly over the top in lead singer Charles Walker’s penchant for James Brown licks.
This Nashville based band drives heavy and hard, as if they were the Stax rhythm section on speed.
Even though I think James Hunter is a lot better, The Dynamites offer a nice recipe for some relentless R&B that pounds along using a commanding rhythm section.
For my money, Charles Walker sounds more like David Clayton Thomas, (of Blood Sweat & Tears), Huey Lewis, or Wayne Cochran of Wayne Cochran & the C.C. Riders, rather than James Brown – the big influence on The Dynamites.
(A big shout-out to you if you remember Wayne Cochran & the C.C. Riders!)
Last but not least, another Brit, 20 year old Joss Stone is in the house.
When her debut record came out in 2003, I couldn’t believe I was listening to a 16-year-old. Joss Stone has an original sound mimicking no one, although she does have the blood of Janis Joplin running through her veins!
Stone’s voice caught my immediate attention as her song played through store speakers at a Tower Records outlet I was visiting.
We’ll see how her career develops.
On a side note, it’s interesting how reviewers generally place these artists in the wrong musical categories. But then, in the modern music business, it’s all about the marketing.
Don’t miss our 2 minute 59 second playlist featuring all four of these retro-soul sensations.
Technorati tags: Sharon Jones & The Dap Kings James Hunter The Dynamites Joss Stone
Thursday, October 18, 2007
Patti LaBelle's Christmas 2007
Patti LaBelle’s Miss Patti’s Christmas is a pleasant surprise, but it shouldn’t be.
The vocal chops of Miss Patti are never in question, but the fear that this would be another typical Christmas song collection was.
Fear not! Miss Patti’s Christmas is an unusually surprising good mix of both the secular and sacred.
Dynamic duo Jimmy Jam & Terry Lewis, who’ve had a great 2007 with plenty of work, guide this project as the executive producers.
Clearly, there was a careful process to select just the right mix of songs for Miss Patti’s Christmas. The contemporary songs are great, the traditional songs are wonderful, and the 2 gospel songs sparkle with praise.
You won’t find all of the usual suspects on Miss Patti’s Christmas.
She imprints her legendary personality on traditional holiday favorites: “It’s the Most Wonderful Time Of The Year,” “Do You Hear What I Hear,” and “Away In The Manger."
We get a different arrangement and a slightly faster tempo on “Away In The Manger,” a Christmas song Patti has previously recorded at a slower tempo.
"What Do The Lonely Do at Christmas,” made famous by The Emotions, gets a nice update by LaBelle.
It’s hard to imagine a version of Luther Vandross’ “Every Year, Every Christmas” as good as the original, but once again, LaBelle rises to the occasion. This is one of the best tracks on the collection.
You’ll like the contemporary “Christmas Jam,” a rhythmic rouser that opens the album.
As a package, there’s a good balance between uptempo and slower selections. Her voice is right in the pocket on the following 10 tracks...
- “Christmas Jam”
- “It’s The Most Wonderful Time Of The Year”
- “What Do The Lonely Do At Christmas”
- “Holiday’s Mean More To Me”
- “It’s Going To Be A Merry Christmas”
- “Do You Hear What I Hear?”
- “Nativity”
- “Jesus, Oh What A Wonderful Child” featuring The Soul Seekers
- “Every Year, Every Christmas”
- “Away In A Manger”
Deck the Halls! Miss Patti’s Christmas is excellent, and highly recommended.
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Thursday, October 11, 2007
Chaka Khan Funks Up Her New Release

Chaka Khan dedicates her new CD, Funk This, to her grandma, and to her recording industry mentors Arif Mardin and Ahmet Ertegun.
She digs deep into her soul to project some sonic emotion through an adventurous collection of songs, all produced by the crafty song-hook magicians Jimmy Jam & Terry Lewis.
Chaka pulls you in and commands your attention with her magnetic voice, but the subtleties of her mastery of different genres reveals the cadence of a song styling surgeon who knows what she is doing.
When called for, her trademark powerful pipes still pump up the vocal volume.
Overall, Funk This takes risks with material that you might not expect on a Chaka Khan record.
Most of the songs are uptempo, and they don’t all fit into the classic definition of “funk."
The track that will sell the album, (or downloads), is “Disrespectful,” a soul shoutin’ hootenanny with the mesmerizing Mary J. Blige as Chaka’s duet partner. This is the best cut on the collection.
Guitarist Tony Maiden of Rufus & Chaka Khan fame contributes to a couple of tracks, including the opening cut “Back In The Day,” and a medley: “Pack’d My Bags/You Got The Love."
Do we really need a rehash of “You Got The Love?” It seems to appear out of nowhere as “Pack’d My Bags” fades. The synthesizer arrangement on this version of “You Got The Love” lacks the horn overlay of the original, but it is true in tone to the way the song was sung the first time around, and Chaka punches it out.
"Back In The Day” has that ‘Rufus rhythm’ old school fans should enjoy. Track 2, “Foolish Fool,” reminds me more of Macy Gray than Chaka Khan, despite the voice differences. In “Foolish Fool,” guitars dominate and drive the track with Chaka in control.
"Castles Made Of Sand,” from the Jimi Hendrix songbook, parallels the original song. Chaka does not jump into uncharted “funk” on this one. You are listening to a mostly mellow mid-tempo rock classic.
I never really liked Prince’s “Sign of the Times” because it’s much too depressing. Chaka Khan’s version builds on Prince’s arrangement but just can’t rescue me from the morose.
Michael McDonald stops by for a remake of the Carly Simon classic, “You Belong To Me.” To my ear, this new duet with Chaka sounds overproduced.
More successful is “Ladies Man,” a Joni Mitchell song which lends itself to Chaka’s careful reading of the lyric while fusing elements of jazz into the pulse of the song.
"Super Life,” an uptempo anthem about carrying the flag forward in the memory of those who have lost their lives (through genocide) is a great cut that features Chaka Khan radiating the energy of “I Feel For You."
Funk This is a misleading title for this CD. Yes, it’s a departure from the jazz of her 2004 Classikahn, but Funk This is much more of an expansion into a broader array of music.
There are several hits here. Chaka expands her scope yet again. Ms. Khan has also co-written 7 of the 13 songs.
Producers Jimmy Jam & Terry Lewis show some restraint and don’t get in the way. What they do is guide the project with creative resourcefulness, showcasing the unique manifestations of this daring diva: Chaka Khan.
- “Back In The Day”
- “Foolish Fool”
- “One For All Time”
- “Angel”
- “Will You Love Me?”
- “Castles Made Of Sand”
- “Disrespectful” featuring Mary J. Blige
- “Sign ‘O’ The Times”
- “Pack’d My Bags/You Got The Love” featuring Tony Maiden
- “Ladies’ Man”
- “You Belong To Me” featuring Michael McDonald
- “Hail To The Wrong”
- “Super Life”
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Here’s a bonus Chaka Khan treat from the past...
Tuesday, October 09, 2007
Millie Jackson & Isaac Hayes Exposed

What are Millie Jackson & Isaac Hayes so happy about in this photo?
The pair are celebrating during a photo shoot from their 1979 album Royal Rappin’s, a much overlooked release featuring:
- “Sweet Music, Soft Lights, And You”
- “Feels Like The First Time”
- “You Never Crossed My Mind”
- “Love Changes”
- “I Changed My Mind”
- “Do You Wanna Make Love”
- “If I Had My Way”
- “If You Had Your Way”
- “You Needed Me”
Although not a chart topper, the album was a unique collaboration between Jackson, and Hayes, two gritty R&B entertainers who extended their reputations as flirtatiously naughty sex symbols.
As for the music, the songs are thoroughly enjoyable, rolling through some smooth and entertaining tongue and cheek adlibs between Millie and Isaac on both slow and medium tempo tracks.
Favorite songs: the uptempo “Do You Wanna Make Love,” and the old Anne Murray hit ballad, “You Needed Me."
Royal Rappin’s is a regal effort from a noble king and a majestic queen of soul: Millie Jackson & Isaac Hayes.
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Thursday, August 30, 2007
Chris Jasper's Journey from The Isley Brothers to Invincible
Rock and Roll Hall of Fame inductee Chris Jasper was an important member of the expanded Isley Brothers.
Chris, along with Marvin and Ernie Isley, joined original members Ronald, Rudolph, and O’Kelly Isley in 1973.
After 13 years with the Isley Brothers, Chris, Marvin, and Ernie formed Isley/Jasper/Isley in 1984, delivering the number one 1985 hit, “Caravan of Love,” featuring Chris on lead vocal.
After moving on from Isley/Jasper/Isley in 1988, Chris formed the independent label Gold City Records.
While with Gold City Records, Chris Jasper has performed and written music for other artists.
Invincible, is his new 2007 release, featuring these tracks:
- “Invincible”
- “Keep Reaching Higher”
- “I Know That You Love Me”
- “Without Love”
- “Let God’s Will Be Done”
- “Thank You Lord”
- “A New Life In Christ”
- “He’s The Judge”
- “Do You Believe”
- “Come On and Testify”
Invincible is very much a producer project. Jasper writes, produces, and performs all of the tracks. He sings lead and background vocals.
Each original song is based on a particular scripture from the Bible, (listed in the CD credits).
Jasper projects a clear, inspirational, positive message, skillfully weaving divine themes into these 10 “songs of praise."
Chris doesn’t deviate from the melodic rhythms of his past success. This CD presents familiar Isley styled instrumentation that should easily appeal to progressive R&B fans.
When an artist conceives and implements an entire project by themselves, there’s a danger that the final result becomes an expression of perceived perfection. One point of view controls every aspect of the creative process.
There’s a formula to how the lyrics are integrated into these songs, and the lyrics are the focus. I suppose I was expecting more musical virtuosity highlighting Jaspers’ skill as a musician with more instrumental soloing.
I wonder if the spiritual message of some of these poetic praises might have been better presented in a more traditional way with more gospel, and less R&B. However, it’s clear that the aim of this release is to appeal to both R&B and sacred fans, and C.J.’s goal for the most part has been accomplished.
I found Jasper at his best on “Without Love,” and “A New Life in Christ.” Vocally, “Without Love” recalls the classic harmonies of The Impressions with Curtis Mayfield.
Compared to the first 7 songs, the last 3 tracks, “He’s The Judge,” “Do You Believe,” and “Come On and Testify” embrace the Isley/Jasper/Isley-Isley Brothers style more openly with slightly more funk to the bottom beat.
"Come On and Testify” has a nice guitar riff that hints respectfully to “Move On Up,” the solo track by Curtis Mayfield.
Tailor-made for the lovers of inspirational music, Invincible may attract an expanded base of R&B lovers too, as Chris Jasper has fused a sound he pioneered together with the reverent message of God on this accessible release.
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Tuesday, August 07, 2007
Thelma Houston Celebrates Her New CD: A Woman's Touch
Scheduled for a Tuesday, August 14, 2007 release, Thelma Houston is back with her first album in 17 years: A Woman’s Touch
Every song is a winner. There’s not a weak track.
She’s put together a great collection of songs based upon her favorite melodies from some gallant hit making gentlemen you know.
In the tradition of Lou Rawls, Isaac Hayes, and Barry White, Thelma launches a few selections with a quick monologue talking directly to us about her personal observations. It’s a nice touch serving to reinforce the themes of the songs.
She calls these brief introductions “preludes.” Peitor Angell has contributed to writing three of them, while Thelma has co-written one.
The “Don’t Leave Me This Way” diva sounds as good as ever. She’s crafted a solid CD, featuring a strong supporting cast of musicians. Valerie Pinkerton, Myrna Smith, Portia Griffin, Pat Hodges and Denita James are the talented background singers supporting Ms. Houston. (Hodges & James were formerly of the girl group Hodges, James & Smith).
The CD starts off with a chant to introduce a perky version of Harold Melvin and the Blue Notes “Wake Up Everybody."
Luther Vandross’ anthem, “Never Too Much,” is the 2nd track, which really gets my attention. “Never Too Much” showcases Houston’s strong voice inside of a skillfully crafted, well arranged, dance track.
Here are the songs:
- “Wake Up Everybody”
- “Never Too Much”
- “Brand New Day”
- “Ain’t That Peculiar”
- “By The Time I Get To Phoenix”
- “Distant Lover”
- “Love and Happiness”
- “Dance (Disco Heat) / You Make Be Feel (Mighty Real)”
- “That’s The Way of the World”
- “Please Send Me Someone To Love”
”Brand New Day” from Sting gets an uptempo bluesy, gospel, revival. Thelma testifies with a touch of praise. Terrific.
You may not recognize Smokey Robinson’s “Ain’t That Peculiar” at first listen. The Marvin Gaye hit has been turned into a compelling torch song with some big band embellishments.
Thelma captures an enjoyable reading of “By the Time I Get To Phoenix,” songwriter Jim Webb’s classic, a hit for both Isaac Hayes and Glen Campbell.
Marvin Gaye’s “Distant Lover” is produced with a real retro 1950’s – 1960’s feel. This one is also tastefully done.
Al Green’s original phrasing on “Love and Happiness” is quite unique. Thelma Houston throws her soul into this one too, and the results are very satisfying.
The Sylvester hits “Disco Heat” and “You Make Me Feel Mighty Real” get real clever arrangements, freshening up these songs, driven along by Houston’s powerful and clear voice.
”That’s The Way of the World” keeps the Earth, Wind, & Fire spirit alive as Thelma captures the fulfilling essence of this song.
She throws her soul into Percy Mayfield’s “Please Send Me Someone To Love,” closing out the CD with a nice bluesy vamp.
A Woman’s Touch by Thelma Houston offers powerful classic soul favorites, sung with inspiration, creativity, and energy.
She’s having fun, and you can hear it. Her band is excellent too. Technically, the CD is well produced and mixed, with Thelma’s voice positioned just right so you can clearly hear and appreciate all of the words.
Thelma Houston’s biography has more about her Grammy winning history.
A link to the official Thelma Houston website, (also leading to her MySpace site), can be found in the Powerhouse Radio R&B Music Artists Official Website Directory.
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